MACBETH Essays - Characters In Macbeth, Social Philosophy, Sin

MACBETH Macbeth is presented as a mature man of definitely established character, successful in certain fields of activity and enjoying an enviable reputation. We must not conclude, there, that all his volitions and actions are predictable; Macbeth's character, like any other man's at a given moment, is what is being made out of potentialities plus environment, and no one, not even Macbeth himself, can know all his inordinate self-love whose actions are discovered to be-and no doubt have been for a long time- determined mainly by an inordinate desire for some temporal or mutable good. Macbeth is actuated in his conduct mainly by an inordinate desire for worldly honors; his delight lies primarily in buying golden opinions from all sorts of people. But we must not, therefore, deny him an entirely human complexity of motives. For example, his fighting in Duncan's service is magnificent and courageous, and his evident joy in it is traceable in art to the natural pleasure which accompanies the explosive expenditure of prodigious physical energy and the euphoria which follows. He also rejoices no doubt in the success which crowns his efforts in battle - and so on. He may even conceived of the proper motive which should energize back of his great deed: The service and the loyalty I owe, In doing it, pays itself. But while he destroys the king's enemies, such motives work but dimly at best and are obscured in his consciousness by more vigorous urges. In the main, as we have said, his nature violently demands rewards: he fights valiantly in order that he may be reported in such terms a "valour's minion" and "Bellona's bridegroom"' he values success because it brings spectacular fame and new titles and royal favor heaped upon him in public. Now so long as these mutable goods are at all commensurate with his inordinate desires - and such is the case, up until he covets the kingship - Macbeth remains an honorable gentleman. He is not a criminal; he has no criminal tendencies. But once permit his self-love to demand a satisfaction which cannot be honorably attained, and he is likely to grasp any dishonorable means to that end which may be safely employed. In other words, Macbeth has much of natural good in him unimpaired; environment has conspired with his nature to make him upright in all his dealings with those about him. But moral goodness in him is undeveloped and indeed still rudimentary, for his voluntary acts are scarcely brought into harmony with ultimate end. As he returns from victorious battle, puffed up with self-love which demands ever-increasing recognition of his greatness, the demonic forces of evil-symbolized by the Weird Sisters-suggest to his inordinate imagination the splendid prospect of attaining now the greatest mutable good he has ever desired. These demons in the guise of witches cannot read his inmost thoughts, but from observation of facial expression and other bodily manifestations they surmise with comparative accuracy what passions drive him and what dark desires await their fostering. Realizing that he wishes the kingdom, they prophesy that he shall be king. They cannot thus compel his will to evil; but they do arouse his passions and stir up a vehement and inordinate apprehension of the imagination, which so perverts the judgment of reason that it leads his will toward choosing means to the desired temporal good. Indeed his imagination and passions are so vivid under this evil impulse from without that "nothing is but what is not"; and his reason is so impeded that he judges, "These solicitings cannot be evil, cannot be good." Still, he is provided with so much natural good that he is able to control the apprehensions of his inordinate imagination and decides to take no step involving crime. His autonomous decision not to commit murder, however, is not in any sense based upon moral grounds. No doubt he normally shrinks from the unnaturalness of regicide; but he so far ignores ultimate ends that, if he could perform the deed and escape its consequences here upon this bank and shoal of time, he'ld jump the life to come. Without denying him still a complexity of motives - as kinsman and subject he may possibly experience some slight shade of unmixed loyalty to the King under his roof-we may even say that the consequences which he fears are not at all inward and spiritual, It is to be doubted whether he has ever so far considered the possible effects of crime and evil upon the human soul-his later discovery of horrible ravages produced by evil in his own spirit constitutes part of the tragedy. Hi is mainly concerned, as

Romeo and Juliet Assignment Essays

Romeo and Juliet Assignment Essays Romeo and Juliet Assignment Essay Romeo and Juliet Assignment Essay I have been asked to write an assignment on Romeo and Juliet a play written by William Shakespeare around 1600 and still one of the most popular Romantic-Tragedies performed in theatre today.I have chosen Juliet because I believe she is an interesting character and she has a subtly split personality or conflict of loyalties, which I find interesting and which I feel a lot of teenagers today might identify with.I have to chosen to look in detail at the whole of Act 3 Scene 5 after line 59, when Romeo has left.JULIETArt thou gone so? Love, lord, ay, husband, friend!I must hear from thee every day in the hour,For in a minute there are many days:O, by this count I shall be much in yearsEre I again behold my Romeo!ROMEOFarewell!I will omit no opportunityThat may convey my greetings, love, to thee.JULIETO thinkst thou we shall ever meet again?ROMEOI doubt it not; and all these woes shall serveFor sweet discourses in our time to come.JULIETO God, I have an ill-divining soul!Methinks I see thee, now thou art below,As one dead in the bottom of a tomb:Either my eyesight fails, or thou lookst pale.ROMEOAnd trust me, love, in my eye so do you:Dry sorrow drinks our blood. Adieu, adieu!The contrast of joy over time with Romeo followed by sadness at their parting means that Juliet is already in a heightened emotional state before the news comes which is to cause her to oppose her parents will for the first time ever. This scene is vital to understand Juliets changing character.JULIETAy, madam, from the reach of these my hands:Would none but I might venge my cousins death!LADY CAPULETWe will have vengeance for it, fear thou not:Then weep no more. Ill send to one in Mantua,Where that same banishd runagate doth live,Shall give him such an unaccustomd dram,That he shall soon keep Tybalt company:And then, I hope, thou wilt be satisfied.JULIETIndeed, I never shall be satisfiedWith Romeo, till I behold himdeadIs my poor heart for a kinsman vexd.Madam, if you could find out but a ma nTo bear a poison, I would temper it;That Romeo should, upon receipt thereof,Soon sleep in quiet. O, how my heart abhorsTo hear him named, and cannot come to him.To wreak the love I bore my cousinUpon his body that slaughterd him!The scene takes place in Juliets bedroom. Her mother enters soon after line 64, immediately after Romeo leaves. Capulets wife asks Juliet how she is and asks if shes missing her cousin Tybalt (who recently was killed by Romeo) Previously, Capulet and his wife discussed bringing forward Juliets wedding to Paris to the next Thursday as Juliet had been extremely emotional since the death of Tybalt.JULIETMadam, in happy time, what day is that?LADY CAPULETMarry, my child, early next Thursday morn,The gallant, young and noble gentleman,The County Paris, at Saint Peters Church,Shall happily make thee there a joyful bride.Juliet becomes very anxious regarding this and when her father enters with the Nurse (around line 122) an argument between Juliet and her father ensues.JULIETNot proud, you have; but thankful, that you have:Proud can I never be of what I hate;But thankful even for hate, that is meant love.CAPULETHow now, how now, chop-logic! What is this?Proud, and I thank you, and I thank you not;And yet not proud, mistress minion, you,Thank me no thankings, nor, proud me no prouds,But fettle your fine joints gainst Thursday next,To go with Paris to Saint Peters Church,Or I will drag thee on a hurdle thither.Out, you green-sickness carrion! out, you baggage!You tallow-face!LADY CAPULETFie, fie! what, are you mad?Hang thee, young baggage, disobedient wretch! I tell thee what: get thee to church o Thurday, or never look me in the face.Juliet then seeks support from her mother, who refuses to speak to her:Talk not to me, for Ill not speak a word. Do as thou wilt, for I have done with thee. (Line 202)When her mother and father have left, Juliet then turns to the Nurse for support.JULIETO God!O nurse, how shall this be prevented?My husband is on earth, my faith in heaven;How shall that faith return again to earth,Unless that husband send it me from heavenBy leaving earth? comfort me, counsel me.Alack, alack, that heaven should practise stratagemsUpon so soft a subject as myself!What sayst thou? hast thou not a word of joy?Some comfort, nurse.NurseFaith, here it is.Romeo is banishd; and all the world to nothing,That he dares neer come back to challenge you;Or, if he do, it needs must be by stealth.Then, since the case so stands as now it doth,I think it best you married with the county.O, hes a lovely gentleman!Romeos a dishclout to him: an eagle, madam,Hath not so green, so quick, so fair an eyeAs Paris hath. Beshrew my very heart,I think you are happy in this second match,For it excels your first: or if it did not,Your first is dead; or twere as good he were,As living here and you no use of him.JULIETSpeakest thou from thy heart?NurseAnd from my soul too;Or else beshrew them both.The Nurse has been a de facto mother to Ju liet and far closer to her than her real mother. She knows about the marriage to Romeo but she encourages her to forget Romeo and seek happiness with her second love (Paris)Romeos a dish clout to him, An eagle madam, Hath no green so quick, so fair an eye As Paris hath. Besrew my very heart, I think you are happy in this second match, for it excels your first; or if it did not, Your first is dead, or twere as good he were As living hence and you no use of thy heart?Juliet realises she has no support from those around her, so she holds back her feelings and calmly tells the Nurse shell do as she says. She instructs the Nurse to inform her mother she is gone to confession, having angered my father. However, the scene ends with Juliet contemplating her own death if the Friar will not help or support her:If all else fail, myself have power to die.The scene is important to the play because her parents place greater pressure on Juliet to marry Paris than she anticipated and based on a tim e-scale which means that the plan for time to heal before reconciliation takes place cannot now happen. Up to this point, Juliet imagined that she had two years or so before having to deal with her fathers marriage plans. Now she finds that she has two days. This makes her anxious and so she challenges her parents. This unexpected response to what was intended as a caring act makes them feel angry and they see her as being wilful, selfish and disobedient.JULIETO, bid me leap, rather than marry Paris,From off the battlements of yonder tower;Or walk in thievish ways; or bid me lurkWhere serpents are; chain me with roaring bears;Or shut me nightly in a charnel-house,Oer-coverd quite with dead mens rattling bones,With reeky shanks and yellow chapless skulls;Or bid me go into a new-made graveAnd hide me with a dead man in his shroud;Things that, to hear them told, have made me tremble;And I will do it without fear or doubt,To live an unstaind wife to my sweet love.That she is willing to challenge her parents in an age when children were seen and not heard and when girls were thought of as property, also demonstrates how much Juliet loves Romeo. She loves him so much so much that she will challenge her parents, her Nurse and her Friar, even to the point of death if she has to. She is therefore, for the first time in her life, all on her own and unsupported, but strengthened by the power of her love.Romeo is present in the first part of the scene but leaves before Capulet, his wife and nurse arrive. Juliet is the only character to remain on stage throughout the entire scene. Juliet is the daughter of Capulet and Lady Capulet and Nurse has been her wet nurse and nanny since Juliets birth.Capulet represents authority and the older generation. He is motivated to make Juliet happy by marrying her to a successful young man (Paris). However, he is also motivated by increasing the power and influence this marriage will create for his family and his line. He may have been un usual in Shakespeares time to have cared so much about Juliets feelings, but as head of the house he had a duty to ensure that it kept its influence. His anger is complex. He is angry having got such a good match for Juliet only to have her reject his efforts; he is angry because if she refuses to marry Paris the whole town will know that he cannot control his daughter; and he is angry because he puts her refusal down to over-reacting to the death of Tybalt.Lady Capulet does not have the depth of relationship with Juliet that the Nurse has with her, therefore, she finds it difficult to reason with Juliet when Juliet rejects Paris and all he stands for;Do as thou wilt, for I have done with thee.This reflects the familial relationships of the age in which Shakespeare wrote. The bringing up of children was left to servants whilst the Lady of the house ran the social side of the family to ensure that they had the right friends and contacts.The Nurse has torn loyalties as she knows the d epth of feelings Juliet has for Romeo. However, she is also employed by the Capulets and has responsibilities to the family name. To the audience of the time her pragmatic attitude to love would be perfectly sensible. She comes from a class that has to work hard all of their lives and is always at the mercy of the rich and powerful. If she offends Capulet she will lose her position and her home and her security for her old age. To her, love is a means of achieving security she cannot afford the romantic notion which governs Romeo and Juliet.In my production, I would use a modern, typical teenage bedroom; walls filled with pop idols and untidy surroundings. Juliet is wearing jeans and a rugby top with trainers. She has long blond curly hair scrunched up in a bun method.The scene would be set in a detached country house in Stalybridge and Juliet is dressed appropriately to show she is a teenager living in the 21st century. Lady Capulet is dressed in a smart, well fitted suit with cou rt shoe, a flicked up highlighted bob hairstyle and perfect make-up. She has an orange glow to show she frequently uses sun beds. She has a manicurist and so has beautiful nails. This is to show Lady Capulet is a superior character who can be self confident and self seeking.The Nurse is wearing a tracksuit and trainers (homely and practical) She is older than Juliet; of an age with her parents.Capulet is wearing a businessmans suit without any distinguishing features. Romeo is wearing a basketball top, shorts and trainers. This shows their upper-middle class wealth. The scene is obviously set in Juliets bedroom.To make the scene more effective to the audience I will use music where appropriate (i.e. strident, fast music in the background while theyre arguing) Ill have the cameras cutting quickly between the characters when Capulet, Lady Capulet and the Nurse enter and slowly zoom in when the argument between Juliet and Capulet erupts. The language would be filled with an angry tone from her father, a flustered and upset tone from Juliet, concern from the Nurse and tired exasperation from her mum.The scene will begin with a wide camera shot of the whole room; it will slowly focus on Juliets face to the exclusion of everyone else. This reflects the message of the scene she has Romeo, but then loses him. Her mother begins to act supportively (asking how shes feeling) but leaves stating she doesnt want to speak to her anymore. Her father begins by shouting at her, in a bullying manner. Nurse, Juliets closest ally, is quiet for most of the scene and ends telling her to forget Romeo. Juliet feels trapped, alone, desperate and suicidal.When Capulet leaves the cameras will zoom in to a close up on Juliet and her tear tracked face, red eyes and flustered expression. After a short while focusing on the tears in Juliets eyes, the light goes darker and darker until the screen is black. This shows the dramatic ending to the scene, showing Juliets end emotions. The dark ro om at the end reflects the sadness and leaves viewers with sadness and strong feelings towards the couple. The conclusion to the play should be sad and important to the plays structure. It will leave people wondering and thinking, instead of leaving and forgetting the plot.If it were filmed in this way, the effect of the scene would be to bring out the idea that Capulet was too harsh towards Juliet and maybe the mum and Nurse could have been nicer. The key moment can be shown by Juliet looking upset and angry towards the end of the scene. The scene would show Juliets feelings in more depth and her dads reaction when he tells her his plans. This makes a huge gap between the generations.For me, the key message of this scene is the helplessness Juliet feels. Her family have always provided for her in every way but since meeting, and falling in love with Romeo, her world has been turned upside down. Her cousin has been killed by her husband, her family hate his family, her family dont k now shes married. She feels they are forcing her to marry someone else, and Romeo has been banished: completely alone and desperate, she considers suicide. Her only remaining hope is to turn to Friar Lawrence.In Shakespeares own time it was more common for wealthy families to organise proposals of marriage, like that between Juliet and Paris. In my scene, in Stalybridge 2004, the pressure of the family is more subtle as Juliet, in todays time, would like to marry for love but the family still want her to marry a successful man. Today (2004) Juliet would want to co-habit with her boyfriend Romeo rather than marry the professional Paris. The feud between the families prevents any possibility of this.

Therapy Dog Visits Cancer Patients at Cone Health Assignment

Therapy Dog Visits Cancer Patients at Cone Health - Assignment Example The patients have the opportunity to hold the dog, which reminds her of her dog pet that she left at home. Animal-therapy is a topic that has gained a lot of attention within the contemporary topic about the human-animal relationship and how each party can benefit. This news item shows how close human beings and animals can be and how the two species can mutually benefit from one another. The reason I picked this article is its implication to the hope of reviving the bond between human beings and animals. As more people find consolation in their domestic animals, it becomes clear that it is possible to form even close bonds that will uphold the dignity of both animals and human beings. This brings a completely new image different from one created by the use of animals as test species that researchers use to develop a cure for the human ailment. Earlier on, medical experts have used animals to test for experimental drugs, leading to the death of many animals. This article is linked to the idea of bringing animals and human beings close, an important topic in the contemporary studies.